List of bibliographic references indexed by Music and Letters
Number of relevant bibliographic references: 54.
[20-40] [
0 - 20][
0 - 50][
40-53][
40-60]
| Ident. | Authors (with country if any) | Title |
|---|
| 001881 (2006) |
Sarah Hibberd | La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.) |
| 001886 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
| 001887 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001891 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001904 (2006) |
Charles Dill | Angels and Monsters: Male and Female Sopranos in the Story of Opera, 1600–1900. By Richard Somerset-Ward. pp. xiv + 325. (Yale University Press, New Haven and London, 2004, £25. ISBN 0‐300-09968-1.) |
| 001A23 (2005) |
Richard Freedman | ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.) |
| 001A28 (2005) |
Alberto Rizzuti | Viganò’s ‘Giovanna d’Arco’ and Manzoni’s ‘March 1821’ in the Storm of 1821 Italy |
| 001A36 (2005) |
Mark Kroll | Two Important New Sources for the Music of Charles Avison |
| 001A40 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 001A50 (2005) |
Nanette Nielsen | The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist. By Claire Taylor-Jay. pp. viii + 225. (Ashgate, Aldershot and Burlington, Vt., 2004, £42.50. ISBN 0-7546-0578-7.) |
| 001A62 (2005) |
Mark Everist | Review: Il viaggio a Reims |
| 001A64 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
| 001A73 (2005) |
Lucy Walker | Opera: The Art of Dying. By Linda Hutcheon and Michael Hutcheon. pp. x + 239. (Harvard University Press, Cambridge, Mass. and London, 2004, £18.95. ISBN 0-674-01326-3.) |
| 001A83 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
| 001A85 (2005) |
Andreas Giger | L’Opéra en France et en Italie (1791–1925): Une Scène privilégiée d’échanges littéraires et musicaux. Actes du colloque franco-italien tenu à l’Académie musicale de Villecroze (16–18 octobre 1997), ed. Hervé Lacombe. pp. 320. Publications de la Société française de musicologie, 8. (Société française de musicologie, Paris, 2000, €25. ISBN 2-85357-011-8.) |
| 001A86 (2005) |
Rachel A. Lewis | Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question |
| 001A87 (2005) |
Arnold Whittall | Letters from a Life: Selected Letters of Benjamin Britten, Vol. 3: 1946–1951. Ed. by Donald Mitchell, Philip Reed, and Mervyn Cooke. pp. xxvi + 758. (Faber, London, 2004, £25. ISBN 0-571-22282-X.) |
| 001B20 (2005) |
Shersten Johnson | Britten’s Musical Syllables |
| 001B27 (2005) |
Buford Norman | Aesthetics of Opera in the Ancien Régime, 1647–1785. By Downing A. Thomas. pp. viii + 411. Cambridge Studies in Opera. (Cambridge University Press, 2002, £55. ISBN 0-521-80188-5.) |
| 001C62 (2004) |
Michael Puri | Review: Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg |
| 001C63 (2004) |
James Garratt | Review: Music and German National Identity |
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